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Reviews

Simple monitor calibration – Spyder2 Express reviewed

Calibrating your monitor is a bit like checking the tire pressure on your car – we all know we should do it, but most of us don’t unless our business depends on it.

To ward off dissatisfaction from prints, and make sure all my editing adjustments weren’t making things worse not better, I recently bought a Color Vision Spyder2 Express Colorimeter to calibrate my laptop screen, and my 2 LCD screens (one at home, one at work).

Like falling off a log

Setting it up and using the thing – which looks like a silver shrunken version of those boardroom table speakerphones – was very straightforward.

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Reviews

Lens review: Canon 28mm f/1.8 USM

41AJ4YRZ1FL._SL500_AA280_.jpg Once you start appreciating how good prime lenses can be, a zoom will be a useful option but lacking some great simplicity and appeal. So it was I came to buy a new grey market copy of this lens – the Canon EF 28mm f/1.8 USM – on e-Bay for a good price, when I should have been saving for a mid-range zoom. Tests report some vignetting and chromatic abberation issues, and at around $420 it’s not cheap – but I love it.

Back to the 50mm way of seeing

On my cropped Rebel XT, the classic 50mm prime turns into a useful but tall 80mm portrait lens.

This is particularly noticeable indoors, where you find yourself backing up against a wall to fit in a headshot of two people standing next to each other. The solution: a 28mm prime that equates to nearly a 45mm lens on my camera body.

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Reviews

Lens review: Canon 28-105mm USM II

51Y5EXYJP9L._SL500_AA280_.jpg

Life through a lens

I have a soft spot for this lens – the Canon 28-105mm f/3.5-4 USM (a bargain at $230), even though I no longer own it.

It was given to me by my mother-in-law when she upgraded her film SLR to digital, and it was partly responsible for reviving my interest in photography.

So, for that, I’ll always owe it a lot.

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Personal Reviews

“Show big to sell big” – Mpix printing comes through

Table full of picturesI came across that pithy piece of advice the other day – the idea being that as a photographer, if you want to sell large prints as part of your portrait or wedding business, then you should only have large prints on display in your studio.

It’s not directly relevant to me (no studio, no portrait or wedding business), but I got the idea when I opened a flat box today from Mpix.

I’d had a bunch of shots printed at 12″ x 8″, and while that’s far from huge, it was the largest I’d seen most of these images.

Laid on the dining room table (helps that it’s white), they looked great.

And I could see some patterns and connections I’d not seen before between the different photos, even though I’d pored through them in deciding which ones to print up.

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Personal Reviews

Back from Vacation

Ascoli Piceno piazzaLike every camera-toting tourist who just got home from their holiday, I’m keen to show you my pics.

We travelled to Ireland (Co. Clare, and Dublin), and Italy – back to Le Marche. I packed light(ish) – the Rebel XT, Canon 24-105mm L, Sigma 10-20mm, and the Canon 50mm f.1.8 for the low light stuff.

We were bringing the laptop already, at least partly as a DVD player to keep our daughter amused on the long flights, so I got to do some editing and reviewing while I was there, which was great.

I also packed a LaCie 160GB Little Disc portable drive for backup. It seems pretty flimsy, but it’s small and light, and did the job. It’s also pretty cheap.

Anyway, here’s the Flickr set of pics.

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Reviews

Lens review: Sigma 10-20mm f/4-5.6 EX DC HSM

5BE53ECA-A8DB-4ADF-9CE5-0A094E0066E6.jpgI bought the Sigma 10-20mm f/4-5.6 EX DC HSM ($479 at Amazon right now) as a way into architectural and landscape photography – the 28-105mm I had at the time being way too long on my cropped-sensor Rebel XT.

It’s sturdy, and delivers some amazing shots, but you need to watch out for the distortion.

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Reviews

Book Review – ‘Understanding Exposure’, by Bryan Peterson

51ukcq2To9L._SL160_.jpgI haven’t quite kept to my resolution of reading one photography book a month, but I’m enjoying those books I have got through, including ‘Understanding Exposure‘ by Bryan Peterson .

It’s a quick read, with a few annoyances but a fair bit of good advice.

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Personal Reviews

My new old precious – Canon Canonet QL17

My Canonet QL-17Call it the poor man’s Leica, call it indestructible, call it whatever you want, but I love my Canon Canonet QL17.

Made between 1962 and 1971 the Canonet offers everything you could look for in a small flexible film camera:

  • 40mm f/1.7 lens is sharp, flexible and great for low light conditions
  • either go fully manual or (with the addition of a battery) use the metered mode that gives you a pretty good shutter-priority mode
  • quick-loading film mechanism makes it easy for digital-heads like me to make sure the film winds on properly
  • cheap and relatively easy to find (I got mine on eBay for around $35)
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Personal Reviews

On the road – learning to love the Canon 24mm-105mm f/4L

While I was in LA visiting family recently I got my first real chance to explore the Canon EF 24-105mm f/4 L IS USM I’d got for Christmas.

Our 2-year-old travels with more stuff than her parents put together, so there was only room for the camera, the nifty fifty and the 24-105.

I’d not shot with it that much, but here was a chance to give it a real try. And I’m learning to love it, but I’ve still got a little way to go.

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Links Reviews

New Canon Rebel Xsi/450D

Looks like my XT is a thing of the past. Canon have announced the 450D, or Rebel XSi as it’s annoyingly going to be called here in the US.

According to PopPhoto.com, a very nice feature list includes:

• a 3-inch 230K dot LCD like the 1Ds Mark III.
• a Digic III processor.
• 14-bit A/D conversion.
• 4% spot meter (hooray!)
• The burst rate jumps to 3.5 fps for 6 RAW or 45 JPEGS.
• It’s the first EOS to take only SD cards — no CF cards here!
• Like the EOS 1D Mark III, EOS 40D, and 1Ds Mark III, it has Live View Mode
• Of course it’s got a self-cleaning sensor.

Note that it only takes SD cards, so if you’re upgrading from another Rebel, you’ll be stuck with a bunch of CF cards. But the spot metering, larger LCD, 12.2 megapixels and Digic III processor look like winners. Not sure I’d use the LiveView much, but I guess for some it’ll be handy – like macro photographers, for example.

And it’s available for pre-order (with an April 15th release) at Amazon for $799 body only, or with the 18-55mm f/3.5-5.6 IS lens for $899.

(sorry for the lack of posts, by the way – we were away in LA, and then I’ve been swamped with a work backlog since my return)