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Moore Consulting Photography

Full-page photograph used in New Mexico Magazine

The current issue of New Mexico Magazine includes a full-page photograph of mine from last year’s Santa Fe International Folk Art Market.

It shows a little girl standing in front of the lovely decorated archway at the top of the stairs at the Market, and it introduces the magazine’s Going Places section.

I’m particularly pleased because the model in this case is my daughter. I try not to include her in my work too much, but I made an exception in this case.

More of the images I made at last year’s Market are here in a Flickr set.

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Moore Consulting

Updates to Clearing the Vision Photography Website

Just as the cobbler’s children need new shoes, often a web designer’s own sites get neglected because they’re too busy working on other people’s projects.

So it was with the site for my photography business, Clearing the Vision. I had a new logo and a clearer focus on the sort of work I was doing — mainly children’s photography for parents and organizations. But I needed my new site to reflect these developments.

It wasn’t necessary to tear down the site completely to incorporate these changes, which is one of the benefits of a site driven by a content management system. Modifying templates rolls out a new look across the whole site without have to adjust every page.

As well as a new palette and new logo, I added a homepage slideshow that uses JavaScript not Flash, so it works well on iPads and iPhones. I also stripped the rest of the content down on the homepage to give the images and welcome message more prominence.

My site is integrated with Photoshelter to display both public and private client galleries, so I adjusted the Photoshelter custom templates to keep the same look and feel throughout.

For my portfolio section, I added Photoshelter’s new large-size displays (which also work well on mobile devices). A few tweaks to the blog to add the email newsletter signup box and we were done with the technical part.

As ever, re-writing the text content and choosing the right images to accompany was where the real time was spent. That’s the key material that really repays attention.

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Moore Consulting

How to Spot a Great Web designer from 250,000 miles

Grover Sanschagrin, co-founder of PhotoShelter recently wrote a helpful blog post outlining things photographers should think about when choosing a web designer. He makes some good points, and then very kindly recommends me personally.

I’m one of eight recommendations, and Grover explains

I’ve created a list of designers (many of them are also photographers) who I feel are worthy of consideration. All of these designers are also experienced with PhotoShelter’s advanced customization capabilities, which means they know how to integrate all of PhotoShelter’s tools into a website or blog.

If you’re a photographer looking for a new site, especially if you’d like it to integrate it with PhotoShelter, I’d love to hear from you. And you don’t just have to take my word that I can help — you can ask Grover.

You can read Grover’s full post here.

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Moore Consulting Santa Fe and New Mexico

Cattle Drive article for New Mexico Magazine wins award

An article I wrote last year for New Mexico Magazine has just been awarded an Award of Merit for Travel Feature from the IRMA (International Regional Magazine Association).

The magazine asked me to go on a cattle drive at the Burnt Well Ranch near Roswell, NM. I hadn’t ridden a horse in 20 years, and had no idea about being a cowboy — which was why they sent me, I think.

There’s an excerpt from the piece here, and here are some of the photographs I took (in an amateur capacity on this occasion) while on the drive.

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Moore Consulting

Social Media Case Study — Santa Fe International Folk Art Market

Having a solid website is a great start, but increasingly a good social media offering can really make the difference with your online presence.

I built the website for the Santa Fe International Folk Art Market several years ago, and have been maintaining it for them ever since, adding new artists as they’re selected for the Market, and keeping the press releases and press cuttings up to date.

But the organization became increasingly aware that they needed to do a better job of communicating what was happening with the Market throughout the year.

Great material, no time

The Santa Fe International Folk Art Market, produces the largest international folk art market in the world, and its success led to Santa Fe’s designation as a UNESCO City of Folk Art. The Market hosts an annual festive, weekend event on Museum Hill in Santa Fe, New Mexico attended by hundreds of hand-picked artists and thousands of visitors.

Selecting the artists, putting on the event and tracking the impact of the money raised by the artists when they returned home produces some amazing stories. But the Market, a non-profit with a small staff, didn’t have the resources and skills to tell those stories effectively online.

So they asked if I could help.

21st Century story-telling

Together we devised a publication schedule for blog posts and Facebook updates that would lead up to the Market in July and beyond. Some of the stories introduced new artists who would be attending for the first time, while others looked at the impact the Market makes on the artists’ communities when the artists return home with the money they’ve made in Santa Fe. We also looked at the role volunteers play in making the Market happen every year.

I then wrote the blog posts, often interviewing people involved, or working from suggestions and notes from the Market staff. As the Market arrived I also photographed artists and shoppers, and kept Facebook and Flickr up to date with shots from this year’s event.

This combination of writing, photography and internet knowledge is a crucial part of contemporary story-telling, but often its overlooked or undervalued. People can see the need to spend money (or commit internal resources) on technical infrastructure or graphic design, but somehow think that good content and images will magically appear without any work or expense.

Inviting contributions from visitors

Another part of a successful social media campaign is to involve your followers as much as possible. To this end, we invited people who had attended the Market to upload their best images to the Market’s Flickr pool, building a beautiful crowd-sourced overview of the event.

The Market currently has nearly 2000 people in its Facebook group, and monitoring and replying to the posts and comments there is another important part of fostering conversation between these committed supporters of the Market.

Conclusion

In the eight months between May and December 2009, four blog posts appeared on the Market site. Once we started working on this for the Market, we published 24 blog posts in the 8 months between January and August this year. We also gained around 1000 Facebook followers in the same period. The feedback from visitors to the site and the Facebook page has been positive, and we’ll be working on another plan for the 2011 Market.

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Moore Consulting

AIA Santa Fe chooses Moore Consulting to design new architects’ site

We’ve just launched the new site for the local Santa Fe Chapter of the American Institute of Architects (AIA), and we’re very happy with it.

With over 130 Regular, Associate, Emeritus and Allied members, AIA Santa Fe focuses on local design and construction issues, supports New Mexico architecture students, provides continuing education opportunities for its members and circulates news and event information. Its lecture and film series are open to the public to bring diverse groups together to discuss architectural issues.

Updating their previous site meant calling its developer, and the site content had grown a little disorganized over time. So two key aims for the new site were that it could be updated by AIA volunteers and that it was structured to allow for additions.

Given the site’s main audience is architects, it also had to look good.

We developed a clean and spare design that incorporated the AIA colors but also left lots of white space. The most recent items added to the site’s News section appear automatically on the front page of the site, and other sections include sublevel navigation that can grow as more pages are added.

A Member Directory and Search feature make it easy to find the contact details for the chapter members, while integration with Paypal allows members to pay for their monthly lunches via the site.

And because the site is built using the WordPress content management system, all the updates and additions across the site are now performed by AIA volunteers.

Site address: http://www.aiasantafe.org

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Moore Consulting

New Website for Santa Fe Architect Steve Shaw

Shaw Architecture, P.A a long-established architecture firm here in Santa Fe chose Moore Consulting to design and develop their new website, which has just launched.

Steve Shaw was looking for a clean and elegant design that showcased his high-end residential and commercial work, which includes the new ranch headquarters facility at the Flying Diamond Ranch, the Madden-Follingstad residence and the Santa Fe Business Incubator.

We chose a dark background to show the photography to best advantage and used an elegant display solution to allow visitors to click through multiple images for a project without having to reload the whole page.

The site is built using WordPress, making it easy to maintain. However, we developed a set of custom templates for the site, allowing for control over every detail, from the homepage slideshow to the unusual sub-level navigation which appears above the main navigation bar, allowing the full width of the page to be used for images and text.

Site address: http://www.shawsf.com

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Moore Consulting

New site for Photographer Jeff Henig using WordPress and Photoshelter

I’m delighted to announce the launch of our latest website — it’s for Jeff Henig, an American travel photographer based in Japan, who specializes in shooting cultural and religious festivals across Asia. You can check it out at www.jeffhenig.com.

The challenge

When Jeff first contacted me, he had a blog in one location, a Flash-based portfolio online somewhere else, and a Photoshelter site for his stock archive. He was doing a good job keeping them all up to date, but each had a different look and feel, and navigating between them was confusing for visitors.

He was looking to integrate all three parts of his web presence under one design and navigation system to present a more polished and professional image, and make things easier for potential stock buyers or photo editors. As he says,

“I wanted to create seamless navigation and a consistent look between my Photoshelter site, my Blog and also explore ideas on a better Portfolio page. I was looking for a web designer who could fix what was wrong with my current site. The navigation wasn’t right and it wasn’t interactive enough for me. When I saw David’s personal web site a light bulb went off. I knew he could help. “

His design brief was wisely to go big with his bold images, and also to include a more involving way of showing his Portfolio than just thumbnails.

He also wanted to be able to update his blog, portfolio and archive as easily as possible.

Another potential issue was that he was in Tokyo, and I was in Santa Fe, New Mexico, so we needed a good plan if we were going to work together.

The solution

The plan we came up with used several elements:

Each had to be brought together under a single design and consistent navigation, to present the best experience for the user.

We loosely based the design on a Photoshelter theme, but customized it drastically, creating a custom banner (that shows a different image each time a new page loads), changing the background colors and adding a shadow box around the main content area.

We also adjusted the typography size and colors to match his logo.

The WordPress side of the site offers 3 main page templates — a homepage that shows a large main image, some introductory text and the titles of the latest blog entries (updated automatically). The About section features a 2-column design, making it easy for Jeff to add more pages to this section if he needs to, as the sublevel navigation adjusts on the fly.

Jeff wanted the blog’s content area to be as wide as possible, as he would be posting lots of photographs. We designed it so he could include photos up to 870 pixels wide, placing a utility area at the bottom of the page to give access to monthly and category archives.

With a few tweaks to the CSS, the Photoshelter galleries fitted in seamlessly for the Gallery/Stock section. You can browse the collections and galleries, as well as search for particular topics while the layout and navigation is exactly the same as the rest of the site. Unless you were paying attention to the address bar, you’d never know you were actually on the Photoshelter site.

Incorporating Fluid Galleries

Choosing Fluid Galleries for the Portfolio section gave Jeff the flash he was looking for in this section (pun intended), while also making it easy for him to update the galleries.

The system instals on your own server and gives you an admin panel to create and update galleries (and choose some navigation and design options). The galleries themselves are then output to Flash, creating a smooth scrolling look.

The problem is that out of the box, there was no easy to link the portfolio section with the rest of the site. We could pop it up in a new window, but we didn’t like that idea, so I took a look at the code Fluid Galleries produces, and worked out how we could embed a logo and navigation bar above the Flash area to integrate it better into the rest of the site.

Now when you’re done with the Portfolio you can easily get to any other section without having to close windows or go via the homepage. I’ve seen a lot of Fluid Galleries portfolios, but not one that works so cleanly with the rest of the photographer’s site.

Long Distance Relationship?

Oh, and the working with someone in Tokyo bit? No problem. A few Skype calls pinned down the requirements and the plan (although talking to someone in the evening for me while it was lunchtime tomorrow for him took some getting used to).

For sending files and comments and questions back and forth we used the superb Basecamp system. I use it with my local clients too, as it keeps everything project-related in one place, but it’s even more valuable when someone’s across the world.

Result

Jeff’s new site brings all the elements together, makes it easy for him to blog, adjust his portfolio or update his Photoshelter archive. And it’s a custom design that creates the impression he wants across all his web content.

Jeff’s summary of things:

“I was very pleased with the redesign of my web site. The end result was a fresh, clean and professional looking web site. David was very professional and a pleasure to work with. I’d highly recommend him and would use him again for further design tweaks.”

Visit the site: www.jeffhenig.com

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Blog Moore Consulting Uncategorized

Integrating Photoshelter and WordPress — a quick guide

Integrating Photoshelter and WordPress — a quick guide


Integrating Photoshelter and WordPress — a quick guide

As a photographer and web designer, I’ve built my own photo sites and ones for other photographers, and I’ve always been frustrated, until I just combined Photoshelter with WordPress.

The problem is that photographers’ sites often need to combine both excellent photo handling and display, and also good handling of text-based pages.

Some photographers’ site solutions (especially Flash-based ones such as Evrium) don’t let you have more than the most basic amount of information about you — say 1 page of a bio, and 1 page of contact information.

But photographers might want to have a blog, details on the type of work they do, articles they’ve written . . . all kinds of stuff. This helps them differentiate themselves and do well in search engine listings.

But they also want great galleries, slideshows and if possible, the ability to sell prints or license their work right away.Here’s where the combination of Photoshelter and WordPress is a real winner — Photoshelter handles the images side brilliantly — from slick portfolios to full-on searchable and buyable archives — but it doesn’t do the text stuff so well — we’re back to the one About Page and a Contact form.

But a blogging tool like WordPress handles as much text-based content as you could throw at it. So it’s as easy to update the blog or other pages as it is to update the images. And with Photoshelter’s customization options, that’s what you can do.

Here’s my experience of the process, based on the work I’ve done on my own site (this one): http:/www.clearingthevision.com/ . It’s still a work in progress, but I’ll outline how I did it, in case it’ll help other people.

I should repeat here that I’m a web developer by trade, so while this wasn’t a fiendishly difficult project for me, I’ve spent years creating custom WordPress-powered sites and generally messing with CSS and HTML, so YMMV.

1) Basic Approach

I had a WordPress installation on my own server (at www.mysite.com), and used the CNAME functionality to rename my Standard Photoshelter account (you’ll need a Standard or Pro account to give the customization features) to archive.mysite.com.

I then also chose all the settings and layout options I wanted using the admin panels for the Photoshelter theme I was going to base the site on (Induro — the lighter background option). This meant that when I need to mess with the templates, the layout and setting were at least what I wanted for the gallery and other photo-related options.

Then I tweaked one of the Photoshelter Themes (Induro) to be the basic template for both the WordPress and Photoshelter sides of the site. I adjusted the header code on the Photoshelter so the navigation options were consistent across both sides.

2) Handling style sheets

Skinning WordPress to look like the Photoshelter theme and working out where the the style sheets should reside are the two big issues. I copied the source of the pages and the css files from Photoshelter side and used them as the basis for my WordPress design.

I built 2 sample pages locally in Dreamweaver — the site’s homepage, and a basic 2-column subpage design that would work for the blog and the more static pages.

Then I backed those designs into my WordPress install — essentially slicing the header, footer and sidebar up into different .php files, and creating unique templates for the homepage, basic text page, single blog post page, and the first page in the blog section.

When I was done, my new style sheet (containing all the photoshelter code, plus some extra styles just for WordPress) resided in my WordPress install.

It would be great if the only thing you had to change on the Photoshelter side were the main navigation options (and uploading your own logo). However, the Induro theme I liked didn’t have room for all the navigation options I wanted — it butted them up against the logo. (The theme also uses unnecessary tables, which is pretty old-school — it would easily be possible to rewrite the HTML using just CSS for almost all the layout)

So I had to redesign that a little, which meant I had to use the updated styles in my WordPress install for the Photoshelter pages too. This also meant copying the page background image (in my case, the gray to white gradient) over to the images folder on my site.

I also had to copy some of the other smaller images over — ones for Next and Previous arrows, for example.

3) Result

I now have a consistent look and feel for my whole site. Static pages (like the About information) are run as Pages in WordPress, so I can assign parents and sibling relationships if I want more than one page in a section (like the About section, where I have a subpage for my gear). The blog is a straight WordPress blog under the hood, so keeping that updated is very straightforward.

The site homepage is a Page in WordPress with its own template, with the Photoshelter slideshow and the most recent blog posts displayed (and some less frequently-changed information). This means I can update that slideshow very quickly in Photoshelter, and the changes will be reflected on my site homepage, and the names of any new blog posts will be shown here too, keeping the front page fresh.

4) Suggestions for Photoshelter

In addition to removing as many tables as possible from the Photoshelter themes, it would a great help to customizers like myself if the themes had a navigation bar that could run the full width of the page by default (some of them may — I didn’t check all of them before I started).

Since you’re likely to be adding new links (in my case, to my blog, a home link, a contact page and a page on my Aperture consulting), the room to run more nav options across an existing design would mean minimal adjustments to the Photoshelter side of the house.

Copyright issues — I took the Induro template wholesale, and applied it to my WordPress blog, making some adjustments along the way. I’m not technically sure this is what the Photoshelter folks had in mind with their templates, but it’s easier to make the rest of your site look like a PS template than it is to make the PS side of things look like the rest of your site. I hope they’re fine with it, but a note in the customization help to let us know if that’s OK might put some minds at rest.

5) Conclusions

You need to be pretty comfortable messing around with the inside of WordPress templates, but it took me perhaps around six hours to do the first major work involved in merging my Photoshelter site with my WordPress site.

(I already had a custom WordPress install that was set up the way I wanted it — if you were starting from a default template, or wanted to make more substantial changes to the PS themes, it could easily take as long again or more).

Even though I’m not completely finished yet, I’m really happy with the result. It’s scalable, so I can keep adding photographs and blog postings to my heart’s content and the twin systems should cope.

Drop me a line if you have any questions, if you’re planning something similar and I’ll try to help you out.

Of course, if you’d like me to do the heavy lifting for you with a project like this, I’d also be happy to talk to you.

By David Moore on August 15, 2009.

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Exported from Medium on October 17, 2020.

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Blog Moore Consulting Technology

Why I Pay for Content, and you should too

The idea that ‘information wants to be free’ is the driving force behind so much content delivery on the Internet. It sounds good, right — progressive and egalitarian? But it’s a tenet that’s bankrupting newspapers, impoverishing photographers and redrawing the media map. And if we don’t start paying for online content soon, we’ll all be the poorer.

My first job in the Internet industry was in 1995, when I went to work for fledgling web consultancy Nua. Gerry McGovern (or ‘guru Gerry’ as we called him not quite to his face), had this weird idea about ‘making free information pay’.

We created a bunch of free email newsletters about web stuff, and became very successful as a result. But for us, successful meant getting paying web development jobs.

This approach is still valid and valuable — you spend time blogging, tweeting and the rest to show how much you know, connect with people and (hopefully) get some paying gigs out of it. Professional content creators — individuals and organisations — can and should do some of this, too.

One traditional way to fund this give-away is by advertising, but since that’s never really balanced the books online, we need another plan. Which is why I unfashionably pay for content. I’ve worked as a journalist (freelancing for the Irish Times, Salon.com, New Mexcio magazine and other publications), I’ve written a book (published by the Irish division of major UK publishing house Hodder Headline), and I’ve had photographs used by local and national publications and organisations.

Quality Costs

I know about being paid for producing creative works. But I’ve also worked in the Internet industry for 15 years, know my way around BitTorrent and read the New York Times online for free every morning.

So I can see it from both sides, but the crucial point is this: it’s hard and expensive to produce high-quality work. It takes the talent, experience, resources and time of a large team to get a book published or a magazine issue produced. Think of a book that hangs together across 80,000 words, with not a single typo or unnecessary sentence — every word pored over by people who do this stuff for a living.

You could go to blurb.com and run one off yourself — and that’s cool — but when you buy a book, it’s not really the paper and binding you’re paying for — it’s the skill of the people who made the countless number of decisions that made it turn out so well.

Same with newspapers — getting the things printed and distributed every morning is a tough job, but not half as hard as having skilled people spend all day chasing leads, asking tough questions, editing flabby copy and checking facts.

There’s an argument that citizen journalists will rise up to fill the gaps left by the dying newspapers, and there are some areas where I could see that work — experts writing about topics they know intimately that don’t involve lots of daily legwork (or being shot at in war zones). But creating good journalism takes people who know what they’re doing and are paid for their time spent doing it. And it looks like we need a new plan for where that money’s going to come from.

A magazine doesn’t need to be between two glossy covers to be worth reading, and online delivery creates a new medium with new challenges and opportunities. But the question the publishing industry as a whole is struggling with is how the hell are we going to make enough money to keep doing this? I don’t know how the new business models will work — Jason Pontin has some ideas more concrete than the usual ‘the sky is falling’ analysis here — but I do know I’m happy to pay for people to do this stuff for me in one way or another.

Aggregating is not creating

The argument that Google somehow renders newspapers obsolete confuses me. Aggregating news and deciding on priorities based on algorithms is interesting and liberating, but there a couple of points here. One is that part of what I’m happy to pay for is for editors who know a lot more than I do to decide what’s important for me to know about. It’s subjective, sure — the UK model of many national newspapers with their biases known and trumpeted sounds fine to me — but it’s better than a simple popularity contest. What’s important or interesting (in absolute terms or just to me) is seldom what’s the most popular.

The other point here is that Google wouldn’t have much to aggregate if there weren’t news gatherers and creators all over the world putting stuff online. Google has many creative people, but not many hardened journalists and photographers.

So recently I’ve started subscribing to more print publications — Vanity Fair, The Atlantic, The Week, Wired, Macworld, Photo District News — and keeping up my online subscription to Salon. If I could pay for the New York Times online (and the BBC iPlayer shows I’m watching) I would.

I’m getting a subscription not because I think the print versions of these publications are the only way they can and should make money, but because it’s the best we have right now. I want these publications still to be around when we figure out how to pay for all this online in a way that works for people.

The Cable TV Model

The Kindle’s online subscription online (which includes print publications and interestingly, paying for blog feeds too) suggests one way forward. In these cases (and with buying books on the Kindle too), you’re more directly paying for the creative work, not the final physical production costs.

People have got very comfortable with this model for music downloads — you knew you were always paying for the songs, not the CD anyway, and so moving to mp3s doesn’t seem so weird.

As yet there’s no iTunes Store-style infrastructure to allow this to happen for print media — you shouldn’t have to pay the New York Times using one payment system and the Irish Times using another. And it seems to me that micropayments per article doesn’t make as much sense as a subscription model.

Having to pay for everything individually (however small the fee) will remind me that I’m paying for it, and discourage use. The Netflix on demand subscription approach seems better, following the cable TV subscriptions we’re all used to in the US. Pay a monthly fee to some large amount of access tailored to you (I don’t want Homes and Gardens, but I might want the Utne Reader), and let me read what I want.

And offer me channels of related content based on topic not just provider — so I can read everything about the elections in Iran, from any of the sources I’ve subscribed to. If I could also see related content from places I’ve not subscribed to yet, that would help me find other sources I like (and might be willing to pay for).

This sounds a bit like an RSS reader on steroids — something that could handle the monetary side as well as the delivery of text, images, video, audio and the interactive elements that would make it easy to comment, twitter, blog and refer others to the material.

But until that (or something like it) comes along, I’m going to give the publications money for their print versions. An economic stimulus package of my own.