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Inspiration News

It’s Time to Get Real – Notes from a Documentary Photography Workshop

Jean-Luc looks out at life from his Airstream kitchen

I’m not much of a manifesto guy, but the last week has made me want to jump up on the barricades and take a stand for a particular type of photography.

I’ve just finished the Documentary Storytelling workshop with Pulitzer Prize-winning photojournalist Deanne Fitzmaurice at the Santa Fe Photography workshops. Over four days (that included class time), I shot and edited a story about French chef Jean-Luc Salles, who’s given up running high-end restaurants to cook excellent food from scratch that he serves out of a 1960s Airstream trailer called Le Pod that sits in a parking lot here in Santa Fe. (I’ll write a post about him and show more of the photos later).

I learned a great deal, met lots of good people, and the experience enhanced my love of documentary photography as the most powerful and compelling type of shooting (not to mention the hardest to do well).

Making it hard for yourself

When you’re shooting a portrait, your first instinct is to clean up the background, get in tight to the subject and show only their face (or perhaps show a full-length portrait against a neutral non-distracting background). A portrait photographer might well control also the light, give instructions on how the subject should pose, and take their time to get the shot they’re looking for.

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Inspiration Tips/Tutorials

Be the White House photographer in your house

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I’ve just finished watching the National Geographic documentary, The President’s Photographer, about the White House photographer Pete Souza (it’s available on Netflix on demand streaming if you’re a US subscriber).

It’s a fascinating look at an amazing job, and I admit to having a bit of a photographer’s crush on Souza. Partly it stems from his great book of images from President Obama’s career in the Senate and from his campaign, The Rise of Barack Obama.

One of the key things that struck me from the documentary was the sense of purpose that all the official White House photographers interviewed had in documenting everything that happens with the President. Every image captured ends up in the Library of Congress, for future scholars and historians to access.

This includes the formal events, the countless handshakes and speeches, but it also covers the more domestic and personal moments.

In fact these smaller scale images (particularly from Souza) are some of my favourites – and because of the White House’s enlightened picure usage policity, I include some of them in this blog post. These have an importance to a wide audience because of the post the man occupies, but a lot of them would be great images even if he wasn’t the President.

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We’re not heads of state, but the idea of documenting the day to day life of our families also has great merit. These moments are priceless, too, if only to us.

And now because of digital cameras, phones that can shoot video and essentially limitless storage, we can capture and keep records of our own lives more easily than ever before.

Waiting until the special occasions or holidays to bust out the camera misses most of what’s really important in a family – the daily details, triumphs and joys.

So let’s all be our own official photographers, bearing witness to our lives and keeping a record for ourselves later and for future generations. It won’t be in the Library of Congress, but it’s no less important for all that.

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Children's portraits Inspiration Personal

I’ve come over all Disney

End of a Good Day

Just had a few days in Southern California, which included some Disneyland time, as you can see from the above shot our our daughter at the end of a busy day.

As a confirmed Disney sceptic before I first went to the park last year, I’m now something of a zealous convert.

This is partly because the whole thing makes my daughter so happy, which is hard for a parent to argue with.

But it’s partly because I’ve been thinking a lot recently about running companies based on core passions and painstaking implementation, and few organizations do that as well as Disney.

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Inspiration Links

Zack Arias speaks at Photocamp Utah

I’ve had a bit of photog-crush on Atlanta music photographer (and much more) Zack Arias, every since I watched his great Transform video.

Here he is at Photocamp Utah with an hour of funny, honest and inspiring advice to would-be photographers. Standouts for me were his commitment to being a good photographer not a good photoshopper, being good to your clients and getting over your shyness – ‘People are the only people who pay’.

Enjoy.

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Inspiration Links Strobist

Starting out as a Strobist

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© Matt Roth - mattrothphoto.com

I’m a natural light guy. Or have been until now.

Hugely unimpressed by almost all uses of on-camera flash, and fascinated by the challenge of capturing the quality of real light in my scenes, I used to swear I’d never use a flash.

And for most of my work – on location children’s portraits – that works well, most of the time.

I choose the right time of day, and a good location in possible, and chase after the kids always trying to maximise the catch-lights in their eyes, and get some flattering natural light falling across their faces.

But sometimes that’s just not possible.

A little flash light bounced off a nearby wall or ceiling might open up their shadowy face and cut the chance for motion blur. Or used outside, it could open up some opportunities to work with the sun to get some good effects.

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Inspiration Personal

Cobbler finally fixes his own shoes – a photo shoot for my daughter

Even though I shoot children’s portraits professionally, and take countless shots of my own daughter Fionnuala, it had been a while since I’d done a more formal shoot with her.

With Finn’s mother and grandparents pointing out that it was long overdue, we were out early into the Santa Fe morning in our neighbour’s garden (thanks, Loretta), to come up with the goods.

Fionnuala was telling me stories the whole time, so I just kept asking her questions and waited until she cracked herself up.

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Inspiration Links Personal

Do you really want to be a pro photographer?

Cheese

Alec Soth – the photographer who would have been perfect to accompany me on my ill-fated bike ride down the Mississippi (but that’s another story) – recently had a simple but brilliant blog post over at the Magnum Blog.

He asked 35 of his fellow Magnum photographers 2 questions:

  • When did you first get excited about photography?
  • What advice would you give young photographers?

The answers are fascinating, but one from Alex Webb really struck home:

Photograph because you love doing it, because you absolutely have to do it, because the chief reward is going to be the process of doing it. . . . Take photography on as a passion, not a career.

This view gets to the heart of the conundrum keen amateurs like me face when we start making some money from our photographs.

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Inspiration Personal

Good morning, world

Good morning, world

So I’m sitting in Ecco, my favourite cafe. It’s hard to believe what happened yesterday.

I’m a green card holder, so couldn’t vote, but I knocked on some doors for the Obama campaign, and like millions of people, made some donations.

I have my naturalisation interview next month, and it makes me very happy that I’ll get to become a US citizen under an Obama administration.

Thanks to everyone who helped make this happen. Now the real work begins.

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Inspiration

Shoot a roll, put it up

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Bernhard Wolf‘s a street photographer in Vienna, and he does a simple/difficult thing very well.

He shoots a roll of black and white film while going about his daily business – meeting friends, taking a train somewhere, eating breakfast – and then he puts up all the pictures from the roll on his blog.

Some shots are better than others, of course, but it’s an engrossing experience, gaining this insight into his life, and the life of a city I’ve never been to.

The quality of his photography is impressive, and the pithy comments entertaining too.

Well worth a look: Yet another cute B/W-Color Blog

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Inspiration Links

Lee Miller – muse and artist

There’s a great article in the Jan 21 issue of the New Yorker about American photographer, model and all-round amazing person Lee Miller.

She went from being a model, muse and lover to Man Ray and Picasso to being a great surrealist photographer in her own right, before becoming a photojournalist during the Second World War (she was one of the first photographers into the Nazi death camps after their liberations).

Hers is a staggering and fascinating life, and an exhibition of her work has just opened at the Philadelphia Museum of Art.

Unfortunately, the New Yorker article’s not available online, but they do have a brief slideshow of her work.