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Children's portraits Santa Fe

Sunday Morning with Evan and Lane – a Santa Fe children’s photo session

Children’s photography to me is something that’s important but not pressing. It’s not like there’s a leak in the bathroom and you have to call the plumber right away, but in the end you’ll be very glad you’ve got the images when the kids are all grown and you’ve moved house.

So I was very happy that I got a call from Evan and Lane’s mother to set up a shoot. My daughter had been in pre-school with the boys, and we’d been meaning to schedule a session for a long time.

Arriving at their Santa Fe house on a bright Sunday morning, I was greeted with a mimosa. This was going to be a tough gig.

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Moore Consulting Photography Santa Fe and New Mexico

In the MIX — photographing a great evening event

The nice people at MIX Santa Fe — the networking and micro-finance group I like to think of as the hip offshoot of the local Chamber of Commerce — asked me to shoot their most recent event, and I was very happy to help out.

It was a party and awards presentation held at the Santa Fe Art Institute, in one the lovely courtyards of Riccardo Legoretta’s landmark building. Often evening events are held in dark hotel meeting rooms where you’re fighting with low light and loud carpets, but this was a joy.

With a bar staffed by the Cowgirl, serving drinks featuring Santa Fe Spirits’ fine local liquors, the party brought out an eclectic creative crowd. Santa Fe seems small, and you’re often running into the same people again and again, but this group refreshingly seemed to transcend a lot of the normal cliques.

Music was from DJ ‘jaro, and eats from La Cocina Doña Clara. Folks were friendly and the space gave me some chances to get some shots you wouldn’t normally associate with event shooting.

Thanks to MIX for the opportunity, and if you’ve got an event you need professional coverage of, don’t hesitate to get in touch.

Categories
Mirrorless cameras

The Fuji X-Pro 1 at the Rodeo

I’ve had my Fujifilm X-Pro 1 for about a month now, having rented one previously, and it’s proving to be a frustrating and lovable thing.

At times I’ll want to throw it across the room when it stumbles over a simple focus or is busy thinking to itself when my subject’s face assumes a perfect (and  fleeting) expression.

But then I’ll look at the images it produces and declare it to be the best thing ever.

We went to the Rodeo de Santa Fe last night, and the X-Pro1 was its usual Jekyll and Hyde self. While I was shooting, especially fast-moving horses I was pretty sure I wasn’t getting anything.

When I got home, however, it made me love it again.

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Tips/Tutorials

Using a Neutral Density Graduated Filter – not just for landscapes

Normally thought of as a tool for landscape photographers, neutral density graduated filters (or ND grad filters) do a simple thing well. They reduce the amount of light hitting the sensor from one part of the image, their shading fading gradually to letting all the light in to the rest of the filter.

This gradation normally means the top-half is filtered and the bottom half not (but there are lots funky ways of adjusting this using filter holders and stuff I won’t go into here.

The classic usage is to darken the skies to keep detail there while getting a good exposure on the mountains in a landscape shot.

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Moore Consulting Photography Santa Fe and New Mexico

Dogs in the Office — design dogs

My dogs in the office personal project has started nicely. I’ve done three shoots now (more photos to follow), and it’s great to have some reason to shoot for myself that’s not just walking around seeing what I get. I’m a documentary photographer, so it’s the stories and moments that I respond to best, and with the dogs in the office, there are plenty of those.

Here are images from the session I shot with Radius Books and Trey Jordan Architecture. They share a lovely space in the same building as my office, and I’ve known Trey and David Chickey from Radius for a long while (full disclosure: I built Trey’s website).

Trey and David bring Jasper and Lola, while Jenni brings Terry, and Thomas brings Eames (what else would an architect name their dog). There’s art on the walls, lots of great space and a very hip kitchen stocked with dog treats (and some nice things for the humans, too).

For the gearheads among you, these were all shot with the Fuji X-Pro1, using 18mm f/2, and 35mm f/1.4 lenses.

Eames being shy.

Taking part in an impromptu meeting

Jasper appreciates the art.

Terry helps out

Time for a bit of affection

Categories
Mirrorless cameras Reviews

Fuji X-Pro 1 Review – Good goods come in small packages

You can tell a lot by the camera you choose for a job. Late last week I had a shoot to do, and although my DSLR kit was sitting beside me, I reached for the Fujifilm X-Pro 1. I’m that impressed with the hip black slab.

So what is it about this camera that only sports an APS-C sized sensor, only has 3 lenses available and costs $1700 that makes it so endearing? This review breaks down my experiences with it, and shows some sample images. As with all my reviews, there’s no photographs of brick walls, no ISO tests with wine bottle labels or collections of kitchen items – just my impressions of using the thing in real-world situations, to shoot the real world.

All the images here were taken with the X-Pro 1. Most received minor contrast and definition adjustments to the JPGs in Aperture, and sharpening for the web. Except where stated, black and white conversions were done in Aperture. You can click on any of the image for a larger (1024px) version.

(This is a long review – you might want to eat it in chunks. Like an elephant.)

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Moore Consulting Photography

Big in Rotterdam — one of my images ends up working in a Dutch kitchen

I recently got an enquiry from a company in the Netherlands, looking to license one of my images to use in their new office kitchen.

As I mostly do commissions (for small businesses, non-profits and families) and some assignment work (for publications), stock enquiries like this are rare, and most of my images aren’t suitable for stock use.

But I have a few images posted, and they’d come across one of mine that they liked. Since they’re based in Rotterdam (one of the largest container ports in the world) and focus on trade with Asia, they were looking for an image of containers on an Evergreen shipping lines vessel.

A quick Google image search later, they’d found one of my images in my small stock library hosted as a quiet part of one of my sites.

They found it because I’d captioned and tagged the images accurately (and because there aren’t that many good Evergreen container ship images around apparently), and they got in touch and asked about fees to license the image.

We sorted out a price and I worked with them on a new version of the image that fit the exact proportion and size they needed.

They printed the file locally, and as you can see the image now adorns their hip-looking kitchen (thanks to Richard Vredenburg for the image).

I’m chuffed that there’s one of my images on the wall in an office in Rotterdam, and it’s amazing that this digitally-connected world allowed this small miracle to happen. Twenty years ago there is no way an image I took at the start of a family cruise could have ended up being looked by Dutch people making coffee, and now we take it for granted.

Here’s the original image (in its custom Rotterdam crop version):

Categories
Children's portraits Santa Fe

All Grown Up – a family session with older kids

At the Loreto Chapel

Most of the work I do for families involves young children, often between the ages of three and ten. But I also really like photographing older kids, so I was happy when Sonia from Sacramento contacted me and asked me about a session while her family were visiting Santa Fe.

Sonia’s son is already away at college, and her daughter is in high school. The last time they’d had family portraits taken was over ten years ago, and since it wouldn’t be too long before their daughter would leave the house, Sonia and husband Ken thought their trip would be a good opportunity to get some new images.

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Moore Consulting Photography

Editorial Portrait Assignment for PracticeLink Magazine

National medical magazine PracticeLink has just published a photo assignment I shot for them in February.

The job was to shoot an editorial portrait of Dr James Melisi, a surgeon who had recently moved to Santa Fe from the Washington DC area.

The article the photo would accompany was about his move and how he’s enjoying the history and landscape of northern New Mexico. An amateur photographer, the good doctor has already had a show of his work in a local cafe.

The brief was to photograph him in a distinctive historical Santa Fe, and including his camera to show the new enthusiasm he’s found for photography.

I gave them a good range of images and as you can see from the tear sheet above, they used one full-page to accompany the piece.

Categories
News Tips/Tutorials

Behind the scenes at an editorial portrait shoot

Earlier this year national medical magazine PracticeLink hired me for an assignment to shoot an editorial portrait of Dr James Melisi, a surgeon who had recently moved to Santa Fe from the Washington DC area.

My background is journalism from the writing side of things, and I’m always keen to understand the angle the article’s taking, so I can get my images to match. The piece was about his move and how he’s enjoying the history and landscape of northern New Mexico. An amateur photographer, the good doctor has already had a show of his work in a local cafe.

The brief was to photograph him in a distinctive historical Santa Fe setting maybe including his camera to show the new enthusiasm he’s found for photography. The magazine liked my work and my approach, so I spoke to Dr Melisi and suggested we meet downtown for a bit of a two-man photowalk. The simple plan would make it easy to shoot in a few public spots without having to move light stands and the rest.

Simple not random

‘Simple’ doesn’t mean unplanned however, and before the day of the shoot I walked a potential route with my camera checking the light, the backgrounds, sizing up different angles.

Part of the challenge of portraits using only natural light (with a bit of reflector here and there) is keeping the faces well exposed without blowing out the sky. Another issue is that nobody looks good in hard sun full on their faces.